When writing the audio portion of most scripts intended for broadcast television, the scriptwriter should use

When writing the audio portion of most scripts intended for broadcast television, the scriptwriter should use

• A. Visual notes only
• B. Sound cues, including VO, SFX, and music cues
• C. The director's notes
• D. Color descriptions

Answer: (B)

When writing for broadcast television, the audio portion is defined by sound cues that tell you exactly what the audience will hear and when. This means including voice-over lines, sound effects, and music cues right in the script so the audio team knows how to time and mix everything to match the visuals. VO (voice-over) indicates narration or off-screen dialogue, SFX covers all the sound effects that support action and mood, and music cues signal when music starts, changes, or ends to enhance pacing and emotion. Visual notes alone wouldn’t communicate the necessary sound details, and director’s notes or color descriptions pertain to the visuals or production process instead of the audio track. Providing these audio cues ensures the final broadcast sound aligns with the intended timing and atmosphere.

When writing for broadcast television, the audio portion is defined by sound cues that tell you exactly what the audience will hear and when. This means including voice-over lines, sound effects, and music cues right in the script so the audio team knows how to time and mix everything to match the visuals. VO (voice-over) indicates narration or off-screen dialogue, SFX covers all the sound effects that support action and mood, and music cues signal when music starts, changes, or ends to enhance pacing and emotion. Visual notes alone wouldn’t communicate the necessary sound details, and director’s notes or color descriptions pertain to the visuals or production process instead of the audio track. Providing these audio cues ensures the final broadcast sound aligns with the intended timing and atmosphere.